When it comes to architectural art glass installations, knowing a little bit about what exists in your space, how it came to be there, and how that fits into the larger history of North American glass can be helpful to you in planning for the care of your space.
The history and appreciation of stained glass is inseparable from both its setting within architecture, from the very nature of the material itself, and also from its history within a community.
This work that we do and the care of our buildings is crucial to our communities. While it might seem like the best window to have is a "Tiffany" window – there is far more to it than that. As we move forward in our nation's growing conversation of appreciation and care, let’s think about how the stained glass fits into the larger meaning of the structure and the people itself and how it speaks to the larger mission of healing.
Stained glass, murals, frescoes, and all architectural art turn our buildings into living museums. Our homes into places of peace and refuge. Public architecture is the inescapable environment of monumental stained glass. We must GO to see stained glass. For many, it is a familiar and comforting part of the fabric of our everyday lives. Stained glass windows stand or fall by their proper or improper existence in buildings. By the success of their overall installation and by the success of withstanding the ravages of time.
In this day and age, we are lucky that we no longer need to rely on anecdotal evidence to make the case for sustaining and preserving the fabric of America's historic structures and the architectural art within them. Numerous studies by organizations like Partners for Sacred Spaces, Associational for Preservation Technology International, and others have shown time and time again that it is better for our health, the well-being of our communities, as well as the sustainability of our planet to take care of our historic structures.
Some basic cleaning information follows below as well as some guidelines on reaching out to professionals, and resources for more information.
While there is nothing wrong with the patina of age on older windows, sometimes, a gentle clean is necessary and it’s important to know the do’s and don’ts of basic stained glass cleaning.
Too much dirt build-up on a window’s surface can actually trap and hold moisture against surfaces – moisture is any window’s worst enemy and the impurities and toxins (often found in greater amounts in city air) are especially damaging.
The first rule of thumb is not to overdo it! A feather duster or soft cotton cloth should be sufficient to regularly dust the surfaces of your window. If your window is dirty to the point of having accumulated a little residue turn to a cleaner that’s free of ammonia and vinegar, as well as pH-neutral and non-abrasive. A little distilled water with a very small amount of pH-neutral dish soap in conjunction with the cloth should do it.* Wring the cloth out until it’s only barely damp, and work gently from the top down. In order to get at the edges and corners of the glass, you can use a cotton swab. Finally, dry with a clean, dry cloth, or even paper towels.
Do Not Use
The damage that can be done to the stained glass by these products and methods is irreversible.
*If your window has any sort of painted surface, the stability of the paint should be checked before anything other than a dry cloth is used for dusting/cleaning. If paint flakes off when touched or easily smudges, then it is best to leave your window alone until professional restoration is needed – the paint stability can be addressed then.
A crack is obviously just a crack, but when might a small crack be indicative of larger problems on the horizon?
Signs your window might need TLC from a professional studio:
These may be signs that it is time to contact an SGAA Accredited Professional or Professional member.
For complete listings of those members, Find a Studio here.
Read more about selecting a studio that meets the needs of your project here.
The primary goal of conservation professionals, stained glass restorers, conservators and consultants is the preservation of cultural property. In the late 1970’s the Stained Glass Association at one of its annual conferences brought the most experienced restoration studios together to form a new committee focused on restoration and repairs, with their goal being both internal and external education. We needed to collaborate to determine best practices around the country as well as share that knowledge with owners and stewards. We needed to get in front of misinformation and a growing number of craftsmen coming into the field with little to no experience offering stop-gap solutions as complete restorations.
The Standards & Guidelines for the Preservation of Stained (& Leaded) Glass Windows is a regular effort by SGAA Accredited Professional studios who come together from across the country to share knowledge and research. As a community, they critically examine their work in front of and together with their peers to evaluate techniques and systems that stand the test of weather, time, and public use. This publication is meant to be a resource for owners and stewards of stained glass work and help demystify the process of both caring for work as well as getting professional help in restoring or repairing any windows that may need it.
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