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Hel
Goleuni.Gathering Light In October 2009, Ellen Mandelbaum participated in the
exhibition “Hel Goleuni.Gathering Light” at the National Waterfront
Museum, in Swansea, Wales. She also was invited to demonstrate glass
painting at The Welsh School of Architectural Glass. Mandelbaum is an Active Accredited member of the SGAA
and is the principal at Ellen Mandelbaum Glass Art (www.emglassart.com). The Welsh School of Architectural Glass,
Swansea Metropolitan University,
(www.smu.ac.uk) is the only dedicated architectural glass school in
the world. Chris Bird-Jones, Director of the Glass Masters
program at the school, designed, curated, and exhibited in the
exhibition. “Hel Goleuni.Gathering Light” featured large
innovative works by artists of the Women’s International Glass Workshop.
Linda Lichtman and Marie Foucault-Phipps were the other American artists
who attended the gathering in Wales. MENFOLK: an
Exhibition of Stained Glass by Debora Coombs “I am trying to explore the world that lies behind
the threshold of language. My series of stained glass panels titled
Menfolk attempts to unravel the emotional complexity of ‘maleness’ from
youth to old age.” Debora Coombs exhibited
Menfolk, a series of richly painted stained glass panels at the
Cochrane Theatre Gallery, London, from October 8 to November 29, 2009;
from there, the exhibit travels to the Stained Glass Museum at Ely
Cathedral in Cambridgeshire, England, from January 2 to February 14,
2010. The genesis for this body of work was an invitation
by Laura Thompson, curator for Kidspace at MASS MoCA (Massachusetts
Museum of Contemporary Art), in North Adams, Massachusetts, for Coombs
to exhibit in a three-person show
Boxed Sets: Assembling Objects, Images, and People. Five panels were
on exhibition there from April to September 2007. Another stained glass panel,
Man With Bird, was among
100 works of glass art selected from 2,974 submitted from 43 countries
worldwide to be published in the 2009
New Glass Review 31 as part of
an annual event organized by Neues Glas/New Glass magazine in Germany and the Corning Museum of
Glass, Corning, New York. These works become part of the permanent
public archives of international contemporary glass artists in the Rakow
Library at Corning Museum. Born and raised in Southampton, England, Debora
studied at Edinburgh College of Art; in Swansea, Wales; and received her
Master’s from the Royal College of Art in London in 1985. She went on to
complete a series of successful public art projects and religious
stained glass, including a memorial window commissioned by Sir Nigel
Broackes, former Chairman of the Crafts Council of Great Britain. In 1995, Coombs was commissioned by Archbishop (now
Cardinal) William J. Levada
to create windows for the newly renovated St. Mary’s Cathedral in
Portland, Oregon. This three-year project involved designing and making
20 stained glass windows — more than 1,000 square feet of hand-painted
stained glass — on the themes of American saints, cultural diversity,
and the sacraments. During this time Coombs and her husband, Richard
Criddle, made the decision to emigrate to the US in 1996. They now live
in Readsboro, Vermont. Coombs’ stained glass has been exhibited in Europe,
Australia, Asia, and the USA and is held in the permanent collection of
the Stained Glass Museum at Ely Cathedral in England. Her work as an educator includes directing the glass
department at Chelsea College of Art in London from 1994 to 1996,
adjunct teaching at art schools on both sides of the Atlantic, including
the Pilchuck Glass School, Seattle, Washington; and presentations to
professional associations such as the British Society of Master Glass
Painters; the Stained Glass Association of America; and British Columbia
Glass Art Society in Canada. Elected by peers as a lifelong Fellow of the British
Society of Master Glass Painters in 1994, Coombs is one of just 13
artists with this status. Her commissions include two 25-foot figurative
windows for Norman Vincent Peale’s church, Marble Collegiate, on
Manhattan’s Fifth Avenue, New York; the design of 46 windows for St.
Henry Catholic Church in Nashville, Tennessee; and the donor recognition
window in North Adams Public Library. About her forthcoming exhibition
Menfolk, Coombs writes: “This series of work explores maleness, at
various ages, and in different emotional landscapes. It grew from a
desire to explore images of
people that spoke to me in some way. Combining drawings and photographs
of my own family with those of strangers, I discovered some interesting
relationships. I handpainted people and patterns onto pieces of coloured
glass to form a mosaic. Fixed together with strips of soldered lead in
the traditional manner, these
Menfolk are now preserved in stained glass, together forever. “Part of the allure for me is working with the real substance of glass and paint. The process feeds my need to make things. Sensual and tactile, craftsmanship is absorbing, technically challenging, and pleasurable. Making provides a perfect counterpoint to thinking.” |

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Chapter 21 of the SGAA Reference and Technical Manual is now available in one reprint edition, which can be purchased through the SGAA Shop or directly from the SGAA Headquarters by calling 800.438-9581. This chapters cover lighting with light boxes, lamp making, and briefly touches on the use of neon. Click this link to visit the SGAA Shop. |
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Sourcebook 2009 is now available for download
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